Bio

Born in 1980 in Gaza, Palestinian artist Hazem Harb currently lives between Rome, Italy and Dubai, UAE. In 2004, Harb enrolled at the Academy of Fine Arts in Rome. He graduated from the European Institute of Design in 2009. Harb deals with a number of core issues including war, loss, trauma, human vulnerability and global instability. He continues to explore his work across multiple mediums, using each and every tool at his disposal.

Statement

These are not photographs, their edges jut beyond the confines of the frame, nudging into the realm of the 3-dimensional. The implied structure instigates an encounter with the past, departing from the idea of the archival as an aide-memoire or even an assemblage. These are newly forged objects, displaced from the past through an engaged process of transformation. With the physicality of an encounter, one which exists and is shaped by time and space, these memories incongruously exist right now. The sense of encounter gives rise to an opportunity for dialogue. Yet, even in these moments in which memory is made current, the fragmented, faulty structures are revealed. Harb becomes an archaeologist and architect of the past, providing directions compiled with the meticulous and attentive care of an engineer. What is re-proposed here is a new process. Emphasising the durational, mutable quality of memory, Harb demonstrates the flux of remembering, creating a contemporary catalyst where he “gives birth to something, which gives birth to something else”.

The Everlasting Presence of an Excluded Memory #2, 2016, Hazem Harb

The Everlasting Presence of an Excluded Memory #2, 2016, Hazem Harb

The Everlasting Presence of an Excluded Memory #1, 2016, Hazem Harb

The Everlasting Presence of an Excluded Memory #1, 2016, Hazem Harb